Lily Arnold

Lily Arnold is a theatre designer whose past Rose Theatre credits include: Marie and Rosetta; The Boy at the Back of the Class, and Leopards.

Theatre credits include: Hamlet, Hey Christmas Tree! (Chichester); Snow In Midsummer, The Jew of Malta, The Rape of Lucrece, King Lear, The Taming of the Shrew (RSC); Romeo and Juliet / What Dreams May Come (English Touring Opera); God of Carnage, A Doll’s House (Lyric Hammersmith); Room (Abbey, Dublin/Theatre Royal, Stratford East, The Grand Theatre, Princess Of Wales, Toronto); Consumed (Paines Plough / Belgrade Coventry); Toto Kerblammo, Jeramee, Hartleby & Ooglemore (Unicorn); The Girl on the Train, The Importance of Being Earnest (Leeds Playhouse); Pah-La (Royal Court); Things of Dry Hours (Young Vic); The Remains of the Day, Rules for Living (Royal & Derngate); Jack and the Beanstalk, Village Idiot, Dick Wittington, Sleeping Beauty (Stratford East); The Unreturning [costume design] (Frantic Assembly); Love Lies Bleeding (Print Room); Henry V (Tobacco Factory); Dublin Carol (Sherman); Broken Biscuits (Paines Plough/Live); Bits of Me Are Falling Apart (Soho); The Solid Life of Sugar Water (National/Theatre Royal, Plymouth); I Cinna (The Poet); Forget Me Not (Bush Theatre); So Here We Are (HighTide/Royal Exchange); and Happy New (Trafalgar Studios).