Lily Arnold

Past Rose Theatre credits include: Emma, Marie and Rosetta (with Chichester Festival Theatre), The Boy at the Back of the Class (with Children's Theatre Partnership), and Leopards.

Lily Arnold is a theatre designer whose designs include: Consumed (Paines Plough); Hamlet and Hey Christmas Tree! (Chichester); Snow In Midsummer, The Jew of Malta, The Rape of Lucrece,  King Lear, and The Taming of the Shrew (RSC); The Capulets and The Montagues / What Dreams May Come (English Touring Opera); God of Carnage and A Doll’s House (Lyric Hammersmith); Room (Abbey/ Dublin/Theatre Royal/Stratford East/The Grand Theatre/Princess Of Wales/Toronto); Consumed (Paines Plough/Belgrade Coventry); Toto Kerblammo, Jeramee, and Hartleby & Ooglemore (Unicorn); The Girl on the Train and The Importance of Being Earnest (Leeds Playhouse); Pah-La (Royal Court); Things Of Dry Hours (Young Vic); The Remains Of The Day and Rules for Living (Royal & Derngate); Jack and the Beanstalk, Village Idiot, Dick Wittington, and Sleeping Beauty (Stratford East); The Unreturning [costume design] (Frantic Assembly); Love Lies Bleeding (Print Room); Henry V (Tobacco Factory); Dublin Carol (Sherman); Broken Biscuits (Paines Plough/Live); Bits of Me Are Falling Apart (Soho); The Solid Life of Sugar Water (National/Theatre Royal, Plymouth); I Cinna (The Poet); Forget Me Not (Bush Theatre); So Here We Are (HighTide/Royal Exchange); and Happy New (Trafalgar Studios).